{"id":183199,"date":"2022-03-28T08:00:39","date_gmt":"2022-03-28T06:00:39","guid":{"rendered":"https:\/\/staging.fundacioncarf.org\/picasso-y-max-jacob\/"},"modified":"2024-05-10T11:18:56","modified_gmt":"2024-05-10T09:18:56","slug":"picasso-y-max-jacob","status":"publish","type":"post","link":"https:\/\/fundacioncarf.org\/en\/picasso-y-max-jacob\/","title":{"rendered":"Picasso and Max Jacob"},"content":{"rendered":"<div class=\"et_pb_section et_pb_section_237 et_section_regular\" >\n<div class=\"et_pb_row et_pb_row_740\">\n<div class=\"et_pb_column et_pb_column_1_5 et_pb_column_2168  et_pb_css_mix_blend_mode_passthrough et_pb_column_empty\"><\/div>\n<div class=\"et_pb_column et_pb_column_3_5 et_pb_column_2169  et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_module et_pb_text et_pb_text_814 post-excerpt  et_pb_text_align_left et_pb_bg_layout_light\"><\/div>\n<\/p><\/div>\n<div class=\"et_pb_column et_pb_column_1_5 et_pb_column_2170  et_pb_css_mix_blend_mode_passthrough et-last-child et_pb_column_empty\"><\/div>\n<\/p><\/div>\n<div class=\"et_pb_row et_pb_row_741\">\n<div class=\"et_pb_column et_pb_column_1_5 et_pb_column_2171  et_pb_css_mix_blend_mode_passthrough et_pb_column_empty\"><\/div>\n<div class=\"et_pb_column et_pb_column_3_5 et_pb_column_2172  et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_module et_pb_text et_pb_text_815  et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<h2>A story of friendship<\/h2>\n<p>At the beginning of the year, the Mus\u00e9e d'Histoire de l'Immigration in Paris presented an exhibition entitled Picasso, the foreigner. <strong>He intended to demonstrate that the painter was not always a recognized artist in France. <\/strong><\/p>\n<p>At the beginning of the twentieth century he was registered by the police, as he was considered suspicious for frequenting avant-garde environments or for his attitudes close to anarchism. He was even investigated for the theft of La Gioconda from the Louvre Museum in 1911.<\/p>\n<p><strong>Nevertheless, Picasso made good friends with French artists, among them Max Jacob, a Jewish poet and painter who converted to Catholicism.<\/strong> She shared a room with him at Montmartre and <strong>advised him to quit his jobs, such as warehouse boy or piano teacher, to devote himself to artistic creation.<\/strong><\/p>\n<p>This friendship led Jacob to make an unusual request to Picasso: that he be his godfather at his baptism. He believed that, being a Spaniard, his friend would have internalized the faith.<\/p>\n<h2>Pablo Picasso and Christianity<\/h2>\n<p>The painter Picasso <strong>made a formal profession of atheism throughout his life.<\/strong>and in 1944 he joined the French Communist Party.<\/p>\n<p>His biographers point out that <strong>his abandonment of Christianity may have been due to the death of a younger sister, Conchita, from diphtheria,<\/strong> he was only 7 years old. This did not prevent the image of the Crucified from appearing in his paintings and drawings, including those of the cubist period.<\/p>\n<p>He accepted, however, the request, and was the godfather at a Baptism ceremony in the Parisian chapel of Notre Dame de Sion on February 18, 1915. On that day he gave his godson a copy of the Imitation of Christ by Kempis, in which he wrote this dedication: <em>\"To my brother Cyprien, Max Jacob, in memory of his Baptism\".<\/em>.<\/p>\n<p>Cyprian was the name chosen by the new Christian, apparently in memory of a bishop of Antioch who was a magician before he was converted. <strong>An example of how Pablo Picasso knew how to put friendship before his convictions.<\/strong><\/p>\n<p>Many years later, in 1941, Jacob, in his Advice to a Young Poet, <strong>I would transcribe a recommendation of Picasso: \"Think of God and work\".<\/strong><\/p>\n<\/div><\/div>\n<\/p><\/div>\n<div class=\"et_pb_column et_pb_column_1_5 et_pb_column_2173  et_pb_css_mix_blend_mode_passthrough et-last-child et_pb_column_empty\"><\/div>\n<\/p><\/div>\n<div class=\"et_pb_row et_pb_row_742\">\n<div class=\"et_pb_column et_pb_column_1_5 et_pb_column_2174  et_pb_css_mix_blend_mode_passthrough et_pb_column_empty\"><\/div>\n<div class=\"et_pb_column et_pb_column_3_5 et_pb_column_2175  et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_module et_pb_image et_pb_image_107\">\n<p>\t\t\t\t<span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/fundacioncarf.org\/wp-content\/uploads\/2023\/05\/max-jacob-por-picasso-1.jpg\" alt=\"Expertos CARF - Antonio Rubio Plo - Picasso y Max Jacob. Una historia de amistad\" title=\"max-jacob-for-picasso\" class=\"wp-image-150480\" \/><\/span>\n\t\t\t<\/div>\n<div class=\"et_pb_with_border et_pb_module et_pb_text et_pb_text_816 leyenda  et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<p>Portrait of Max Jacob (Pablo Picasso)<\/p>\n<\/div><\/div>\n<\/p><\/div>\n<div class=\"et_pb_column et_pb_column_1_5 et_pb_column_2176  et_pb_css_mix_blend_mode_passthrough et-last-child et_pb_column_empty\"><\/div>\n<\/p><\/div>\n<div class=\"et_pb_row et_pb_row_743\">\n<div class=\"et_pb_column et_pb_column_1_5 et_pb_column_2177  et_pb_css_mix_blend_mode_passthrough et_pb_column_empty\"><\/div>\n<div class=\"et_pb_column et_pb_column_3_5 et_pb_column_2178  et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_module et_pb_text et_pb_text_817  et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<h2>The Conversion of Max Jacob<\/h2>\n<p>On the day of the Baptism Jacob missed the presence of Guillaume Apollinaire, the father of surrealism, then stationed in a military garrison in N\u00eemes. <strong>The poet wanted his friends to share his joy, even though they were not believers. <\/strong><\/p>\n<p>It must be said that Max Jacob's conversion aroused the natural uproar among avant-garde intellectuals, although this did not imply a hostile attitude towards him. All in all, <strong>Jacob felt deeply misunderstood and annoyed that some would label him as a new Tartuffe, a false devotee who just wanted attention.<\/strong><\/p>\n<p>This led him to publish in 1919\u00a0<em>Tartuffe's defense<\/em>. Ecstasies, remorse, visions, prayers, poems and meditations of a converted Jew, a book dedicated to the painter Juan Gris.<\/p>\n<p>Faced with those who doubt his sincerity or consider that he has been disturbed by the effects of the ether or henbane, Jacob recounts his two visions of Christ. In the first, on September 23, 1909, he tells of having seen a man, inserted in the landscape of one of the pictures he was painting, with a yellow tunic and long hair. His back was turned, but he turned for an instant and saw his mouth and eyebrows. Convinced it was Jesus, <strong>Jacob had an internal motion that he should convert to the Catholic religion.<\/strong>. He spoke with several priests, but they told him that he should not be too hasty.<\/p>\n<p>Five years passed, and the poet went to a cinema in Montparnasse, on December 18, 1914, to see an adventure film,\u00a0<em>The black capes band<\/em>according to a novel by the master of soap operas, Paul F\u00e9val. He removed his coat from a seat so that another spectator could sit down, and at the same time he seemed to perceive on the screen a face in a crowd, the same face of his seatmate. He immediately left the theater and went into a nearby church to tell a priest about it. The priest not only did not believe him, but reproached him for frequenting such spectacles. In spite of everything, two months later he was baptized.<\/p>\n<h3>Visions of Christ by Max Jacob<\/h3>\n<p>On the other hand, the book of Jacob <strong>contains some interesting reflections on conversion<\/strong>. Its author aspired to live <em>\"with people who would teach him the moral beauty and decency of life.\"<\/em>. He wanted to allow himself to be instructed, to tell them about his life and to mourn his faults. He longed to go beyond the circles of transgression, the profession of faith of some intellectuals.<\/p>\n<p>However, <strong>he could not find his place and did not dare to turn to God.<\/strong>. They called him a madman, although he claimed that <em>\"the Lord is everywhere and in the worst places.\"<\/em>.<\/p>\n<p>After being baptized, he realized that he was sinning again. He could not banish pride, gluttony or lust from him, <strong>But at the same time his faith made him capable of writing in that same book a poem suggested by the Eucharistic adoration he attended every morning at the Sacr\u00e9 Coeur basilica.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<\/div><\/div>\n<\/p><\/div>\n<div class=\"et_pb_column et_pb_column_1_5 et_pb_column_2179  et_pb_css_mix_blend_mode_passthrough et-last-child et_pb_column_empty\"><\/div>\n<\/p><\/div>\n<div class=\"et_pb_row et_pb_row_744\">\n<div class=\"et_pb_column et_pb_column_1_5 et_pb_column_2180  et_pb_css_mix_blend_mode_passthrough et_pb_column_empty\"><\/div>\n<div class=\"et_pb_column et_pb_column_3_5 et_pb_column_2181  et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_with_border et_pb_module et_pb_text et_pb_text_818 elemento-firma  et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<p>With the collaboration of:<\/p>\n<p><strong>Antonio R. Rubio Plo<\/strong><br \/>Degree in History and Law<br \/>International writer and analyst<br \/>@blogculturayfe \/ @arubioplo<\/p>\n<\/div><\/div>\n<\/p><\/div>\n<div class=\"et_pb_column et_pb_column_1_5 et_pb_column_2182  et_pb_css_mix_blend_mode_passthrough et-last-child et_pb_column_empty\"><\/div>\n<\/p><\/div>\n<\/p><\/div>","protected":false},"excerpt":{"rendered":"<p>A Jewish convert to Catholicism, Jacob asked Picasso to be his godfather at his baptism. The latter, despite his atheism, put his friend before his<\/p>","protected":false},"author":5,"featured_media":183723,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"give_campaign_id":0,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-183199","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"acf":[],"_links":{"self":[{"href":"https:\/\/fundacioncarf.org\/en\/wp-json\/wp\/v2\/posts\/183199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacioncarf.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fundacioncarf.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fundacioncarf.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacioncarf.org\/en\/wp-json\/wp\/v2\/comments?post=183199"}],"version-history":[{"count":3,"href":"https:\/\/fundacioncarf.org\/en\/wp-json\/wp\/v2\/posts\/183199\/revisions"}],"predecessor-version":[{"id":183722,"href":"https:\/\/fundacioncarf.org\/en\/wp-json\/wp\/v2\/posts\/183199\/revisions\/183722"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fundacioncarf.org\/en\/wp-json\/wp\/v2\/media\/183723"}],"wp:attachment":[{"href":"https:\/\/fundacioncarf.org\/en\/wp-json\/wp\/v2\/media?parent=183199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundacioncarf.org\/en\/wp-json\/wp\/v2\/categories?post=183199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundacioncarf.org\/en\/wp-json\/wp\/v2\/tags?post=183199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}